Bye bye muddy bass
Welcome to the world of AVAA technology, the way to actively absorb room modes and get clear bass.
The products
AVAA C20 and C214 use active technology to fight room modes
02. More effective than passive absorption
Active absorption is about 25 to 45 times more effective than passive absorption of the same size.
03. Easy to setup
Whether analog or digital, the set-up is the same and very simple: the AVAA is placed where the pressure is highest.
#avaatechnology
#avaatechnology
Comparisons of characteristics
AVAA C20 and AVAA C214
AVAA C20 and AVAA C214
| Product | AVAA C20 | AVAA C214 |
|---|---|---|
| Frequency range | 15 – 150 Hz | 15 – 160 Hz |
| Efficiency | 25x its size | 45x its size |
| Active surface | 0.2m2 | 0.13m2 |
| Surface efficiency | 5m2 | 5.85m2 |
| Technology | Analog | Digital |
| Housing | MDF | Robust aluminium |
The power of active technology
If you want to fight room modes, passive absorption is what first comes to mind.
But if you don’t have meters of space to spare in your room, passive systems will not be effective.
Active bass traps is the solution with the following benefits:
– very compact
– works on a wide broadband (15 – 150Hz)
– doesn’t dampen higher frequencies
– extremely effective
– can easily be moved from room to room
– robust long-lasting product
What do the AVAAs do?
The AVAAs actively absorb standing modes in a room, specifically those between 15 and 150 Hz. Unlike passive absorbers, the AVAAs achieve this with greater efficiency and in a much smaller form factor. With each AVAA in operation, the effect is equivalent to a much larger hole in the wall – typically ranging between 10 and 25 times larger than the AVAA’s actual size of 0.2 m2, depending on the frequency and environment.
By lowering the acoustic impedance of the air in front of it, the AVAA effectively sucks in low frequencies over an area of about 1 to 1.5 meters. As a result, the optimal position for an AVAA is in the most rigid corners of the room, where pressure is highest and where room modes are most present.
It’s important to note that while the AVAA improves room acoustics, it has little impact on the inevitable first reflections of sound. Therefore, proper positioning of loudspeakers and listening equipment is crucial for achieving the best possible sound quality.
Why should I use AVAA technology?
THE PAIN
• Room modes are the most significant acoustic issue in virtually all enclosed spaces.
• These low-frequency phenomena typically range between 15 and 150 Hz and resonate for much longer than other frequencies, leading to uneven sound pressure levels throughout the room’s volume.
• In addition to their disruptive impact on sound balance, room modes also create a masking effect on higher frequencies, resulting in an unbalanced and muddled sonic environment.
THE AVAAs
• AVAA is a one-of-a-kind patent-protected product that functions as a broadband active absorber.
• AVAA’s unique design enables it to effectively absorb room modes spanning the 15 to 150 Hz frequency range, making it a powerful solution for improving sound quality.
• AVAA is highly efficient, significantly reducing the resonance time of low frequencies and resulting in cleaner, more balanced sound.
• Despite its powerful capabilities, AVAA is remarkably small, delivering comparable performance to passive bass traps that are 50 times larger in size.
• AVAA is incredibly easy to use – with no calibration or setup required – users simply need to find the best location in their room to position the device.
• AVAA is also highly mobile, making it easy to move between rooms as needed to achieve optimal sound quality.
THE GAIN
• Using two AVAA C20 units can significantly reduce the resonance time of room modes in any environment, dramatically improving sound quality.
• AVAA does not impact the sound output from speakers, but rather works to improve overall room acoustics.
• With AVAA, bass will become tighter and clearer, eliminating the low frequency veil and fog that can obscure higher frequency sounds.
• AVAA also improves localization of low frequencies, providing greater accuracy and clarity in the sound stage.
• Improved room acoustics through the use of AVAA can enable faster, more confident mixing and mastering decisions.
• With AVAA, you’ll be able to enjoy your audio content more fully, focusing on the source material rather than the imperfections of your acoustic environment.
• Finally, the AVAA is a mobile, durable solution that’s built to last a lifetime, making it a smart investment for audiophiles, producers, and studios alike.
AVAAs in practice
Without AVAAs
In a 20m2 recording studio equipped with 2 big loudspeakers, the sweetspot was quite precise from 200Hz upward but had a low end problem, especially at 32 Hz, due to the dimensions of the room.
With AVAAs
With the addition of only 2 AVAAs, the problems were solved:
– Better balance from the lowest note until the highest one.
– 300ms reduction of the 32 Hz reflections.
– better stereo imaging in the low end.
Equivalent absorbing area
The AVAA boasts an equivalent absorbing area of one unit, varying with frequency. Its surface measures 0.2m2, making it 25 times more effective than a perfect absorber of the same size. In comparison, it has an equivalent absorption area of 5m2.
More effective than passive absorption
The AVAA can be more effective than a perfect absorber of its own dimension by imposing a very low impedance around it.
Comparison
When we compare the AVAA C20 to passive materials of any type, we can see the highest efficiency. Room mode at 39Hz.
— AVAA optimally positioned
— Helmholtz resonator optimally positioned
— Empty measurement room
— Plate swinger optimally positioned
— Porous absorber optimally positioned
So many types of applications
Once you have solid walls, modal behavior becomes unavoidable, but the AVAA technology is incredibly effective in mitigating it.
Why we created the AVAA technology.
The birth of the AVAA technology idea occurred in the late 90s as we tested PSI Audio monitors in recording and mixing studios. We discovered significant variations in their performance from room to room. While some studios had proper acoustic treatment, many lacked absorption, leading to issues with room modes and imprecise low-end sound.
In 2012, we seized the opportunity to launch the AVAA project with the support of two Swiss universities who backed the project for three years. We knew our goal, but the challenge was figuring out how to achieve it. With the help of the best engineers in electronics and electro acoustics, we succeeded in creating this amazing active bass trap.
Initially, we only intended to use our product to showcase our studio monitors. However, it quickly gained a positive reputation and interest skyrocketed.
